Pepitta, charming nurse Lida, Elena Guseva, Svetlana Popova, Zhanna Kapustina, Lyubov Orlova - these are all she is: funny and unexpected, serious and sweet, sad and charming actress, director, screenwriter and producer Tatyana Dogileva. She is always distinguished by the expressive, very bright and juicy manner of the game, which is best manifested in the characteristic and comedic roles of contemporaries.
I was born!
On a winter February day in 1957, a girl named Tanyushka was born into a family of ordinary workers in the town of Tekstilshchiki. They lived very modestly. Tanya grew up quite an impressionable child. After watching The Three Musketeers, she fell in love with the hero, and now all her games were connected with this film. Later, when she saw the “Hussar Ballad”, she wanted to be a hussar following the example of Shurochka. All her idols were very correct and ideologically seasoned.
Parents really wanted to give Tanya and her brother a higher education. Dogileva Tatyana was a round pupil, at the same time was engaged in rhythmic gymnastics and choreography.
I want to be an actress
Life did not cause the girl any special trouble, she lived a wonderful childhood, but she wanted some kind of magic.
At fourteen, she was admitted to a group of young actors, under the direction of Central Television. Tatyana Dogileva dreamed about the scene while still a schoolgirl. She enthusiastically participated in amateur performances. She really wanted to get an unusual, exotic profession, so as not to be like the life surrounding her. She wanted to be different from most.
After receiving the certificate of Dogilev, Tatyana decided to submit applications simultaneously to all Moscow educational institutions, where you can get the profession of an actor. She was not admitted to four of the five institutions. But she entered GITIS, and even got into the Ostalsky group, thanks to which the future actress Tatyana Dogileva discovered a huge talent in herself, a gift received from nature.
Lenkom and others …
Student time passed, alas, irrevocably. After graduation, Tatyana Dogileva became part of the cast of the Lenin Komsomol Moscow Theater.
At first it was not possible to define it in some kind of performance. To perform the roles of the heroines, she was not beautiful enough, she was not very striking in character, nor in comedy. She tried wherever she could, but everyone did not approve of her. At first, Tatyana Dogileva was upset, and then she realized that her roles were not heroines, but girlfriends of heroines. And so it all began.
Mark Zakharov “pushed” her onto the stage. He noticed in a girl named Tatyana Dogileva the temperament of a very bright and characteristic actress. Almost immediately, she got the role of a cheerful, mischievous and stubborn Neli in the play “Cruel Intentions”, which was very successful and noticeable. In this performance, she was lucky to play with Alexander Abdulov himself. To the great regret of the actress, for all the years spent in the walls of Lenkom, this was the only significant role.
Subsequently, Tatyana Dogileva very actively acted in films, with her participation on the screens of the country a lot of pictures were released. The most beloved spectators are still “Blonde around the corner”, “Forgotten melody for flute” and “Pokrovsky gates”.
Between roles in the theater and in the cinema, she always chooses the theater. Firstly, Tatyana Dogileva has the appropriate education, and secondly, it is difficult for her to fully reveal herself in a particular episode of the film. But it was in the movies that she wanted to act from the very beginning, so she agreed with all the scenarios.
In 1998, Tatyana Dogileva, whose biography was reread by fans dozens and hundreds of times, first tried to get used to the role of the director. She did very well.
When the actress was just starting to make her way to the cinema, a bird of luck had already flown in to her, because she was in the same frame with the most famous and famous actors of the Soviet Union: Rolan Bykov, Andrei Mironov, Mikhail Ulyanov, Iya Savina … None of them even suggested that these films will be watched for decades and more than one generation of youth will grow on them. Even the script for Pokrovsky Gates did not like the actors involved in it. Only Mikhail Kozakov saw and understood what and how he was shooting. The result was a film adored by millions of viewers.
